February 15, 2007
Elton John & Tim Rice's 'Aida'
By Sherry Lucas
The gist: Winner of four 2000 Tony Awards, the pop musical's
North American tour comes to Jackson for shows Tuesday
and Wednesday.
Based on the story of the classic Verdi opera (the similarity
ends there), the contemporary musical retells the epic
love triangle of: Aida, a Nubian princess stolen from
her country; Amneris, an Egyptian princess; and the
soldier Radames, who has the love of both.
Aida originally was produced by Disney Theatrical Productions;
the touring production was conceived and developed by
Big League Theatricals.
"It's a blockbuster of a show, a major hit from
the minute it opened," said William Kessler, whose
W. Kessler Ltd. brings Aida to Jackson in its Best of
Broadway series. "The sets, costumes, lighting
and music, all the components are there."
The score: In addition to spoken dialogue, the music
romps through a variety of song types, including urban-based
rhythm and blues, gospel, ballads and Crocodile Rock
songs. The Tony- and Grammy-winning score was the first
collaboration by John and Rice since writing the music
for the wildly successful The Lion King.
"It's not only great music but it's moving and
the numbers are so rousing and the audience really gets
sucked into it," said Leah Allers, who found her
dream role in Amneris in the production.
Song and dance: On the lighter side, her My Strongest
Suit is a showstopper, a Crocodile Rock-influenced "big
girlie fantasy scene" of a fashion show, shoes
and dresses. On the powerful side, Gods Love Nubia connects
with gospel and R&B influences.
Her lead role runs the emotional gamut. "She starts
off as a really fun, sort of naive, shallow, spoiled
princess whose world pretty much revolves around her
wardrobe. ... Through her friendship with Aida, she
starts learning about herself. ... Through a turn of
hardships and heartbreaks, she really deepens into a
noble, altruistic woman who eventually becomes the new
ruler of Egypt. It's a very meaty role and it's a lot
of fun as an actress to portray that," Allers said.
Aida's leads focus on acting and singing while a dancer-heavy
ensemble backs them up.
"Most of our dancers come from Alvin Ailey (American
Dance Theater); they're really beautiful dancers,"
Allers said. The dancers portray Nubian slaves, Aida's
people who are oppressed and held captive by the Egyptians,
and Amneris' handmaidens.
"It really offers so much," Allers said of
the musical. "It has comedy and it also has tragedy
and I think people really are moved by the story."
"We make them laugh and we make them cry. It's
a cliche but we really do. And that's what's fun about
Amneris, because she starts off as the comedic relief
in Act I and really by Act II, they've taken that journey
with her and really feel for the things she goes through
in the end."
Back for more: Ann Turner Williams, owner of Drake's
Designs in Jackson, first saw Aida on Broadway May 2001
when she accompanied a friend, Cindy Cummins of Madison,
to New York City.
"It was absolutely fantastic. We're both just huge
Elton John fans," Williams said, adding that when
she saw a commercial for the tour stop in Jackson, "I
was like a 10-year-old waiting for Santa Claus."
She looks forward to reliving the fun next week, and
taking along Cummins for her birthday.
"We're going to have a pretend-we're-in-New-York
night. ... That's a far fetch but we had so much fun
that night, the whole trip. We loved that show." |